Amadeus [1985]

RRP £13.99 Lowest New Price £3.00

Parental Guidance Warner Home Video Release date: Tuesday 1st of December 1998 Starring: Tom Hulce, Elizabeth Berridge, Roy Dotrice, Simon Callow, F. Murray Abraham, Director(s): Format: PAL, Widescreen, Number of discs: 1 Region code: 2 Running time: 153 minutes Language: English (Original Language) Language: Arabic (Subtitles For The Hearing Impaired) Language: English (Subtitled) Language: Arabic (Subtitled)

RRP: £13.99
Editorial
Amazon.co.uk Review

The satirical sensibilities of writer Peter Shaffer and director Milos Forman (One Flew over the Cuckoo's Nest) were ideally matched in this Oscar-winning movie adaptation of Shaffer's hit play about the rivalry between two composers in the court of Austrian Emperor Joseph II--official royal composer Antonio Salieri (F. Murray Abraham), and the younger but superior prodigy Wolfgang Amadeus Mozart (Tom Hulce). The conceit is absolutely delicious: Salieri secretly loathes Mozart's crude and bratty personality but is astounded by the beauty of his music. That's the heart of Salieri's torment--although he's in a unique position to recognise and cultivate both Mozart's talent and career, he's also consumed with envy and insecurity in the face of such genius. That such magnificent music should come from such a vulgar little creature strikes Salieri as one of God's cruellest jokes, and it drives him insane. Amadeus creates peculiar and delightful contrasts between the impeccably re-created details of its lavish period setting and the jarring (but humorously refreshing and unstuffy) modern tone of its dialogue and performances--all of which serve to remind us that these were people before they became enshrined in historical and artistic legend. Jeffrey Jones, best-known as Ferris Bueller's principal, is particularly wonderful as the bumbling emperor (with the voice of a modern mid-level businessman). The film's eight Oscars include statuettes for Best Director Forman, Best Actor Abraham (Hulce was also nominated), Best Screenplay and Best Picture. --Jim Emerson

Note: this region two DVD is a "flipper" with a break between sides A and B.

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Editorial
Amazon.co.uk Review

A note-perfect cinematic event whose immortality was assured from its opening night, Amadeus is an unlikely candidate for the Director's Cut treatment. Like one of Mozart's operas, the multiple Oscar-winning theatrical version seemed perfectly formed from the outset--ideal casting, costumes, sets, cinematography, lighting, screenplay, music, music, music--so the reinstatement of an extra 20 minutes simply risks adding "too many notes". Yet though this extended cut can hardly be said to improve a picture that needed no improvement, it does at least flesh out a couple of small subplots and shed new light on certain key scenes.

Here we learn why Constanze Mozart bears such ill-will towards Salieri when she discovers him at her husband's deathbed: he has insulted and degraded her after she came to him for help. We also see deeper into the reasons why Mozart has no pupils: not only has Salieri poisoned the Emperor's mind against him, but the only promisingly lucrative teaching job he can find ends disastrously when he realises that the master of the house just wants music to quiet his barking dogs. In a humiliating coda to that episode, a drunk and desperate Wolfgang returns later to beg for money only to be coldly rejected. The structure of the picture is otherwise unaltered.

On the DVD: Amadeus--The Director's Cut finally accords this masterful work the DVD treatment it deserves. The handsome anamorphic widescreen picture is accompanied by a choice of Dolby 5.1 or Dolby stereo sound options, and it's all contained on one side of the disc (the original single-disc DVD release was that crime against the format, a "flipper"). Director Milos Forman and writer Peter Shaffer provide a chatty though sporadic commentary, but they're obviously still too mesmerised by the movie to do much more than offer the odd anecdote. Disc 2 contains an excellent new hour-long "making of" documentary, with contributions from Forman, Shaffer, Sir Neville Marriner and all the main actors, taking in the scriptwriting, choice of music, casting and problems involved in filming in Communist Czechoslovakia with half the crew and extras working for the Secret Police. --Mark Walker

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A fictional account of Mozart's last years with nice tunes and lovely costumes
Review date: 2008-10-28 Rating: 6 out of 10

Sumptuously filmed in beautiful colours, and with a Dolby sound track that will have your upstairs neighbours hammering in rage on your ceiling with their walking sticks, this film presents a largely fictional account of Mozart's last years, and quite libellously portrays Antonio Salieri as Mozart's murderer. It's all about envy, God and getting your just deserts, according to one Amazon reviewer, and I suppose that according to this school of thought, the fact that it's a seriously inaccurate reconstruction of the past is besides the point. Mozart emerges as a highly precocious and slightly nauseating American kid with an irritating high-pitched laugh, brilliant at wowing the Viennese public, upper and working class alike, with colourful theatricals. His juvenile wifelet, also unmistakeably American, wears gorgeous costumes, has a hypnotically pneumatic chest which at one point she displays in all its glory to Salieri, and spends much time either smirking or whining. The cadaverous Salieri looks as though he's in urgent need of a good dose of liver salts. Wonderful costumes, some genuinely dramatic moments, great music, but the ultimate stumbling block is that the whole thing rests on a whopping lie about the Mozart-Salieri relationship. If this matters to you (and it does to me, I must admit) then avoid the film. If you don't give a hoot about historical accuracy, and if you want simply to be entertained by nice photography and dazzling costumes and with some snatches of the more popular Mozart tunes thrown in, then you may well find Amadeus very much to your liking.

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